Friday, December 23, 2016

In Case You Were Wondering What Happened

Remember Bookstore Saturday?

Well, I just finished reading the last book from that particular day's adventure (not quite true, but the two leftovers I won't be reading anytime soon, so here we are). At any rate, this is what happened, expectations-met-or-expectations-not-met-wise.

In case you were wondering.


My second reading of this one, and it's actually held up pretty well, given the fact that even a 100 foot giant squid isn't nearly as scary as a 20 foot great white shark. (amiright?) And like it was in Jaws, Benchley's writing style here has a bit of a flat affect, so what could potentially be terrifying comes off as less than pulse pounding. Still, a decent read. If I were doing brain counts for these (not sure if I am or not yet), Beast would probably get a solid three.
So, um,

THREE SOFT CORE CSI BRAINS

(brain count added after the fact and makes sense as you keep reading. probably).
You know, I don't think I've actually read anything of Benchley's other than Jaws and this one, but both those books have a kind of low key feel to the writing that tends to keep my heart rate down, even in the sticky bits. (Quick internet check: Oh, I also took in White Shark back in the day. I guess we all know where my Benchley-esque interest starts and stops, then. Speaking of heart rate though, if memory serves and who knows if it does without a reread, White Shark had a little more pep to it than these other two killer sea creature yarns.)

The other thing with this book is that I kept remembering its TV movie with William Petersen, which reminded me of him playing Gil Grissom in CSI (which I loved), which then reminded me of seeing him in some godawful late night cable sexy romance thing, and I was forever scarred because I could never look at CSI's Gil Grissom quite the same after that. Nothing to do with this book. That's just what I thought about.


And speaking of Benchley's White Shark, if you ever find yourself needing to choose between reading that half-man-half-shark novel and the one Steve Alten did, go with Benchley's. Please. Trust me on this. And it's a shame, 'cause I've enjoyed everything else Alten has done. Sharkman is definitely his odd man out and I don't know what happened, but it's terrible. It's the only book of his I've read that is done in first person; maybe that has something to do with it. I don't know.

But we're not talking about that book, we're talking about Meg, the first in his Meg series, which is mostly a fine read. Except for its ridiculous climax, where the hero gets swallowed by a giant shark and, using his lucky fossilized megalodon tooth to cut his way through its various body cavities, slices its heart open and kills it dead. (Then escapes to tell the tale!) This book was a second read for me as well, but trust me that ending was as hard to take the first time around.

Well, like I say, the rest of the book is fun, and it definitely does get the old pulse rate up along the way. We get two (count 'em--two!) giant sharks and plenty of mayhem to spread around. Alten writes his characters a little on the one dimensional side, on purpose I think, and as a result you pretty much always know who's gonna end up shark food by the end of things.

Anyway, this one's a solid four on the brain count (I guess I am doing them). Let's see...

FOUR CARTILAGINOUS SKELETON BRAINS

Damn, now I have to go back and make up a clever brain count descriptor for Beast....

There, done.

Huh. Now I'm reading Jason Statham might be involved in the upcoming movie version of this book. Could be it turns into a decent-ish film after all. (Statham always elevates, amiright?)


Well then. What else can I say about this one that I didn't already say in the initial post? It was good. Four brains good? No, probably not. But three solid brains (methinks I sense a brain count theme in the works for this post). You know, I thought this one was a first time read, but I was getting major deja vu as I read, so I'm thinking not. Must have read it as a kid. Anyway, characterization is the word of the day, here. Seltzer does a great job writing these characters in a full-fledged way. The monster is cool, and the end is ever so much more satisfying than what the movie came up with. (I'm talking the epilogue, not the main monster's death, although honestly everything monster related works better here on-page than it does on the screen).

I don't know that Seltzer did anything other than this and The Omen, novel-wise, but he's pretty good at it. Wish he'd done more. That being said, I bet I won't pick up The Omen anytime soon--those kinds of stories totally creep me out. (Blech!)

THREE UNBENEVOLENT BEAR BRAINS


Also a second read-through for me, and another solid three brainer. I'll tell you this much, James Herbert does the whole British killer animal shtick better than Richard Lewis ever did. This was Herbert's first novel, and he ended up writing over twenty more, including two or three rat infested sequels to this one.

Anyway, this has plenty of action and 70s gore (fairly stomachable these days), several edge of your seat scenes (that school siege and the hero's last minute race to the rats' nest, in particular), and just enough characterization and commentary to keep the boredom away. My general target for a four brainer is will I seek it out more than once over the years (not counting the occasional second read after decades, like most of these have been so far). And... this one doesn't go quite that far. But it's definitely a high-end three:

THREE RAZORED INCISOR BRAINS.


Yeah, this really did remind me of The Andromeda Strain. Both really good books and both written in a purposely (unlike Benchley's efforts, I think) informational, news item-like style. Pretty much the polar opposite of Herbert's ratty sensationalism, too. You know, stuffy-scientist-point-of-view and all that. But fun and intriguing, hard to put down in spite of its not being a pulse raiser. I thought I might have read this once before, and yep, I surely did remember it once I dived in.

Where are the killer bees, anyway? I totally remember this being in the news when I was a kid. We were supposed to have just so many years before they'd be spread all across the U.S. and we'd be dying by the thousands. Huh: Wikipedia check (we know it's true!) tells me they've been here since the eighties and currently account for a couple of deaths each year. I guess the threat was over-hyped, back in the day. The end has come and we haven't noticed.

Anyway, the book is a good read, but it doesn't break the four brain barrier:

THREE AFRICANIZED ROYAL JELLY BRAINS (shrug)


Oh. Skip this one, if you want. I was originally hoping for something cyborgy, what with the title and all. Then reading the back, I figured "genetically enhanced superman" of some kind, so I bought it anyway. Meh. A guy finds out he's got a genetic predisposition toward violence and ends up killing himself and some other people. No wait, he only puts himself into a permanent coma at the end, so he's not actually dead.

Anyway, the book is bleak, nihilistic, excessively dark, containing not a smidgen of hope between its covers. Nothing against its author, he writes well, but I kind of felt like dying myself after finishing it. And not in a glib "it was so bad I wished I was dead" way; it was just horribly depressing to read. So, if that's your thing, go for it. I'll be steering clear of this guys work in the future, though.

Ugh, just remembering the read has me feeling low. I kept reading, hoping things would finally turn around for, well, any of its characters. But no. Lives ended or otherwise ruined, and not in fun, over the top genre ways--just darkly depressing horrifying real-life type stuff. And I think we know how I feel about this one now.

ONE DEPRESSINGLY GENETICALLY ABNORMAL BRAIN


Ah. I think I'll be doing a fuller review of this one, along with the movie that came from it. I also think I originally said it was published straight to paperback, but that might not be true (well, it isn't); I'll look at the various covers and formats when I do the full review. For now I'll just say the book is basically a zombie love story, and mostly works as that, even if it does have a few spots where the plot stretches uncomfortably, mostly due to having a 13 year old protagonist.

What I mean by that is there are spots, plot-wise, where the 13 year old might have worked a little better as a slightly older character. Then again, a lot of the book's charm comes from the fact its main character is a precocious kid, so I'm not really complaining. Overall, I'd say the author did a reasonable job working out the storytelling kinks inherent when children are doing adult-y kinds of things.

In fact, she handled the whole shebang well enough for me to give this book the post's second (and last) jump into upper-level brain count territory, with:

FOUR CYBER-ZOMBIE BRAINS

So there.


Hmm. I fear we're ending on a downer, here. If you remember from Bookstore Saturday, I was assuming this book was all ready to give me some genetic-experiment-man-in-ape's-body joy. I mean come on, look at that cover: it's a man's eyes and an ape's eyes and an in-between-man-ape's eyes, right? Right? And it was in the shops horror section, for crying out loud. This thing's got Altered States written all over it!

Nope. It's a soap opera that takes place in a research facility. As in, who's gonna sleep with who and who's gonna make a power play at the office, etc. Oh. And there's an ape in one scene that parrots the word "cup" after hearing it played over and over again on a recording. That's the entire science fiction/fantastical element of the story. "Cup." Sigh.

Well written, no qualms there. It was just so not what I was hoping for. And sure, there's subtext commentary being made by the author about how human beings aren't really all that different from apes, that we're all basically a bunch of clothed beasts running around with a thin veneer of civilization separating us from them, yada yada.

TWO NOT-EVEN-APE-MAN BRAINS

Sigh. Only two books out of these eight that I hadn't already read, and they both turned out to be bummers. Whatta ya do, right? (You go back for another Bookstore Saturday, get more loot and try again, that's what you do!)



As for the two books from that day's haul that I haven't read yet, one of 'em (Barnabas Collins) I honestly doubt I'll ever get to. Maybe If I'm bored and feeling unusually curious, one of these days. The other was the "illustrated" horror film history, which I just haven't gotten around to. Well, I have but it's more of a pick-it-up-now-and-again-for-a-few-pages-of-reading-until-it's-finally-done-months-later kind of book. I'll finish it eventually and probably give it a write up then.

Well, they say good things come in threes (do they say that?). If they do, it bears out here, since half of these books ended up as three brainers--with a couple of standouts and letdowns thrown in the mix. All in all, it could have been worse.

Okay then. Now you know what happened with that Bookstore Saturday.

Saturday, November 26, 2016

Doc Savage Covered (1935)


(1933) (1934) (1935) (1936) (1937) (1938) (1939) (1940) (1941) (1942) (1943) (1944) (1945) (1946) (1947) (1948) (1949)


To the world at large, Doc Savage is a strange, mysterious figure of glistening bronze skin and golden eyes. To his amazing co-adventurers--the five greatest brains ever assembled in one group--he is a man of superhuman strength and protean genius, whose life is dedicated to the destruction of evil-doers. To his fans he is the greatest adventure hero of all time, whose fantastic exploits are unequaled for hair-raising thrills, breathtaking escapes and blood-curdling excitement.




Okeydoke, time for more Doc Savage covers.

If you've seen the previous posts, you know I'm going through all 181 Street & Smith pulps (by year of pulp publication) and the corresponding Bantam reprints. Both sets feature some fine artwork, and seeing visual representations from each story, across the thirty to sixty year gap between publication of each set, is pretty cool. (The pulps were originally published between 1933 and 1949, the reprints between 1964 and 1990.)

Emery Clarke and Walter Baumhofer did the lion's share of the original covers, and James Bama and Bob Larkin did most of the paperback artwork. (And of course Lester Dent did most of the writing.) I'm pointing out new artists and authors along the way, to the best of my knowledge, so you know who did what and when. As far as artists go, I mention them directly in my commentary. The first time I run across an author other than Dent, I attach a link to his name next to the book's title. The plot blurbs you see for each book come from the reprints--the pulps didn't have much in the way of blurbs. And while I'm not doing a ton of commentary on each cover, whenever something catches my fancy, I (can't help but) mention it.

As usual, you can click through images for (usually) larger versions, using your browser's back button or the corresponding keyboard shortcut to get back to the full post. As far as image size goes, I have all the covers, but my scans are from days long past. They looked great on a 800x600 resolution monitor (remember those?), but they aren't too impressive with today's monitors, so I'm trying to replace  them with high-res images as I go. But if you click through and find no joy, you'll know I resorted to my original lower-res scan for that cover.

Let's get to it.



The Mystic Mullah (January 1935 and November 1965) by Lester Dent (and possibly Richard Sale)

It was an ageless thing that had existed since the beginning of time — a monstrous green face that spoke sudden death. With its legions of ghostly, nebulous soul slaves, it had begun to terrorize the world. Even Doc Savage and his fantastic five were helpless against its awesome power, until….

Artist: Walter BaumhoferArtist: James Bama

First of all, is that a great end-of-blurb-hook, or what? "Even Doc was helpless, until..." Until what?! What did he do? How did he become un-helpless? Pretty much guaranteed I'll read the book to find out. (And I did, back in the day.)

Oh, and since I had no idea what a mullah is, maybe you don't, either: It's a Muslim who's learned in Islamic theology and sacred law.

I like both these covers. Baumhofer's is less fantastic in nature, but it really grabs you--makes you want to plunk your dime down and find out what's going on. Bama's take is, well, mystical, and just as exciting in its own way.



Red Snow (February 1935 and July 1969) by Lester Dent

When the red snow descends, all in its path are destroyed, their bodies devoured by the scarlet rot. ARK, the monstrous-headed scholar of evil, sprays red death across a terrified nation and demands total surrender. Doc Savage is helpless as America reels under the crimson lash of deadly snow — helpless because he stands accused of murder!

Artist: Walter BaumhoferArtist: James Bama

Hmm. Nothing to do with red snow on that Baumhofer cover, but it's eye-grabbing. And plenty of red something on Bama's, but not much going on otherwise. It gives us a nice Bama-esque portrait of Doc, if nothing else. I prefer the pulp cover here, by and large.



Land of Always Night (March 1935 and September 1966) by W. Ryerson Johnson & Lester Dent

With the fate of America hanging in the balance, Doc Savage and his fearless crew battle a hideously white-faced man named Ool who kills merely with a touch of his finger. The only clue to his diabolical power is a mysterious pair of dark goggles which brings death to whomever possesses them. The trail leads to a fabulous lost super-civilization hidden deep in the bowels of the earth, where Doc Savage and his fabulous five face their supreme challenge.

Artist: Walter BaumhoferArtist: James Bama

Wow. You'd never know it was the same book, going off these two covers. I'm pretty sure (been a long time since I read it) both scenes are in-story, though. If there's an underground lost civilization, bound to be a giant mushroom field nearby, right? As far as thrills and chills, I'll give the pulp cover props here. And Bama gets another nomination for the Weird Award.



The Spook Legion (April 1935 and March 1967) by Lester Dent

The entire city of New York is swept up in a wave of terror, as an evil international conspiracy devises a crime so sinister that only Doc Savage and his five mighty cohorts can halt its fiendish plan. Led by a phantom master criminal with stupefying supernatural powers, the conspiracy sets trap after trap for Doc. Finally, in a fantastic underground empire, the fearless bronze giant and his courageous crew must fight for their lives against a diabolical enemy that cannot even be seen.

Artist: Walter BaumhoferArtist: James BamaArtist: Ben Otero

Oh man, now that is a classic pulp cover, amiright? Doc on the running board, one of of the Fabulous Five behind the wheel (gotta be Monk, with that homely mug), racing into danger. Nice. I mean, it's a generic scene, showing up in most if not all of Doc's stories, but it's quintessential. Mmm! The Bantam reprint is is pretty dynamic itself, with Doc behind the eight-ball, seemingly fading out of (or into) existence.

And another of the six Golden Press hardcovers from 1975 (first couple of those are in the 1933 post, and another in 1934's). I'm assuming they changed the title from Spook to Ghost, since "spook" had become a common racial slur (well after the story was originally published, from what I understand). Since the GP series was aimed at older kids, I bet the publisher was happy to avoid even the possibility of any controversy with the book's title.

It's been too long since I read it to remember: I wonder if the term was used in-story, and if GP changed it to Ghost inside the book as well.



The Secret in the Sky (May 1935 and November 1967) by Lester Dent

A ball of fire streaks across the heavens leaving death and ruin in its wake — A machine of terror which cannot be halted — An amazing intelligence capable of rendering an entire continent barren… All America trembles as Doc Savage grapples with the most awesome challenge of his astonishing career!

Artist: Walter BaumhoferArtist: James BamaArtist: Ben Otero

That's a nice pulp cover, too. It's got a great action feel to it, doesn't it? And in spite of all the flaming spheres on the Bantam, with Doc just laying there it feels a little ho-hum. The GP cover keeps the spheres and livens Doc up a bit, which is good.



The Roar Devil (June 1935 and May 1977) by Lester Dent

The Roar Devil — he shook the earth. He stopped all sound. He had a vast organization of desperate criminals at his command. Now the good citizens of Powertown were terrorized. At any moment the Roar Devil might strike again. They sent for the only person whose cunning and skill could defeat him — the Man of Bronze.

Artist: Walter BaumhoferArtist: Boris Vallejo

Hey hey! We've taken a break from the Baumhofer/Bama team-up we've mostly had going here: Boris Vallejo has stepped in for Bama on the Bantam cover. And these are both nicely designed covers, I think. For Street & Smith, Doc has eschewed his usual action for scientific rigor, and I like the sweeping-up-and-to-the-left thing the cover has going on. That diagonally-split foreground/background deal on Bantam's reprint is nice, too. There's a lot more color floating around that reprint than on most too, right? Most of the reprints have a more homogeneous palette.

"Thing" and "deal" are official painty-designy terms, I'm pretty sure.



The Quest of Qui (July 1935 and July 1966) by Lester Dent

It started when a Viking Dragon ship attacked a yacht in the waters outside New York. Next, “Ham” was stabbed with a 1,200 year-old Viking knife. Then Johnny was captured and frozen solid in a block of arctic ice. Finally, even the mighty man of bronze himself — Doc Savage — is kidnapped and enslaved by the chilling menace. What is his plan this time? Can he save himself and his friends from almost certain destruction?

Artist: Walter BaumhoferArtist: James BamaArtist: Ben Otero

That's a nice portrait by Baumhofer, but Bama's take is a lot more engaging (to me). I like that purpley-blue cast to everything. Eerie.

And here's the last of the Golden Press sextet, by Otero.



Spook Hole (August 1935 and September 1972) by Lester Dent

The Man of Bronze and his trustworthy friends track a one-armed man of mystery to the far reaches of South America — only to find their lives endangered when they discover the amazing secret that Hezemiah Law is guarding so carefully on Spook Hole!

Artist: Walter BaumhoferArtist: Fred Pfeiffer

Your standard fisticuffs on the pulp cover, but done quite well. One thing (I think I've mentioned before, maybe not) about Baumhofer is his men all tend to look alike to me. Everybody's got the same build and bone structure; sometimes I have a hard time telling which one is Doc, although it's pretty obvious here.

Anyway, Fred Pfeiffer is back for the Bantam, we've seen him a few times already. I like his style. It's reminiscent of Bama's take, while keeping a whole lotta style of its own. A lot of the Bantams are either moody or vibrant; this one is both. I really like the way the colors flow.



The Majii (September 1935 and May 1971) by J. Allan Dunn & Lester Dent

In New York, Rama Tura, chosen disciple of the Majii, leads Doc Savage into a sinister world of drugs and advanced hypnotism. Far away in Jondore, a revolt is brewing that will pit the Man of Bronze against his most devious opponent: the man who cannot die.

Artist: Walter BaumhoferArtist: James Bama

Magii: Is that an archaic spelling of Magi, I wonder? Or maybe a purposeful misspelling, to help take it out of real life and into more fiction territory.... I dunno. (Ah. A quick bit of research says it's supposed to be a fictional language's transliteration of "genii.")

Anyway, nice Bama cover, even if I'm not usually a fan of the "little Doc with giant floating villain" look (like with The Mystic Mullah, up above). Never been a fan of floating head covers. But the cover here carries a lot of energy, to be sure.

Not much going on with this pulp cover for me. Which makes me wonder: For the pulps and reprints both, did the artists get to choose the look and feel of each cover they did? Did they leaf through each story and pick a scene or image that spoke to them, or was it like a slip of paper from the publisher, saying "paint Doc lifting a guy up out of a coffin"?



Dust of Death (October 1935 and January 1969) by Harold A. Davis & Lester Dent

The tiny South American republics of Santa Amoza and Delezon were at war when a mysterious, hooded figure — known only as The Inca in Gray — appeared and began slaughtering citizens of both sides with a strange dust that brought instant, writhing death. Doc Savage and his mighty crew rush to the dense Amazonian forest in hopes of saving lives, but all they find when they arrive is a firing squad — ready to execute the Man of Bronze!

Artist: Walter BaumhoferArtist: James Bama

Does anybody else think about the old Mission: Impossible series, with Peter Graves, when they read those ridiculous country names? Santa Amoza and Delezon... yikes. Neither of these covers does a ton for me, although I prefer the reprint (in spite of its Giant Floating Villain). And I totally get that GFV covers naturally convey a sense of overwhelming dread, etc., which is helpful to an artist. I'm just not a big fan of the tool. In spite of that, it's a great, dynamic-looking Doc pose that Bama has going on there.



Murder Melody (November 1935 and January 1967) by Lawrence Donovan

It began with a series of quakes which tore huge, gaping holes in the surface of the earth. Soon the sky over the Northwest was filled with the bodies of strange floating men playing a weird melody of death. Was the world doomed? Could Doc Savage and his Fabulous five save it from almost certain destruction? Join them as they race to the center of the earth for a titanic battle with the power-crazed leaders of a fantastic super-civilization.

Artist: Walter BaumhoferArtist: James Bama

You know what I've noticed? I'm sure there are exceptions, but the Doc Savage stories tended to expose most apparently supernatural threats as hoaxes, while going full bore with lost civilizations and the more sci-fi kinds of elements. Don't you think? I wonder why. I mean, you never get a real werewolf, and the giant spider turns out to be a balloon or mechanism of some kind, but lost-world dinosaurs and super-civilizations are no problem. Weird. I personally would have liked seeing a few of the supernatural threats play out as real.

Anyway, I like both these covers. They're similar to one another without being obvious. That deep purple of Bama's is nice. And Murder Melody: is that a great title or what?



The Fantastic Island (December 1935 and December 1966) by W. Ryerson Johnson & Lester Dent

It looked just like any other deserted island. But hidden under its tropical sands was a monstrous slave empire, a vast underground network of death pits, giant carnivorous crabs and prehistoric beasts, ruled by the blood-crazed Count Ramadanoff. Blasting their way into this nightmare of horror, Doc Savage and “the fabulous five” embark on their most daring adventure.

Artist: Walter BaumhoferArtist: James Bama

I like both of these. That's some classic derring-do going on in the pulp cover. And I'm a sucker for prehistoric beasties menacing a human being, so props to the reprint as well. Or are those just Komodo Dragons? Well, I like those because they remind me of prehistoric beasts, so either way I think that's a cool cover.



Okay, looks like we've reached the end of another year. Next up: 1936. (Well, not immediately next up, but next in the Doc series... you knew what I meant.) And I sincerely hope it doesn't take me another seven months to get to that one. You never know, though....

Sunday, October 30, 2016

Bookstore Saturday

So this last weekend a Bookstore Saturday happened.

As you may know, a Bookstore Saturday is a lot like a regular Saturday, sandwiched there between Friday and Sunday, and so on. What's different about a Bookstore Saturday, though, is the Bookstore Visit that occurs in the middle of it.

Now, I'm not talking about just any bookstore, or any visit. This is no quick dash to a local Barnes & Noble, no sir. There are rules about these kinds of things. A Bookstore Saturday, to warrant the term, pretty much has to include the following:
  1. It takes place on a Saturday (obviously).
  2. It involves, at the very least, 2 hours in-store (preferably 3 or more).
  3. The store must primarily be a used bookstore (smattering of new books allowed)
  4. It should be a used bookstore that looks like this...

...and not like this:


Now there's not a thing in the world wrong with that second type of bookstore; it has its place in the book world. It just doesn't qualify for a Bookstore Saturday, since Bookstore Saturdays always include losing yourself in mazes of somewhat-but-not-entirely-well-organized stacks of books.

After all, the search is (at least) half the fun.

So. Here's the loot-haul I left with when last Saturday's adventure concluded. Some I've read before, some I haven't and most will probably show up here as a review at some point in the future. I don't think any single book cost me more than 2 or 3 bucks, and the search itself was divine....



...FROM THE CUTTING EDGE OF TODAY'S SCIENCE
AND THE LOGS OF MARINER LEGEND
COMES AN IMMENSE HORROR--
A CREATURE THAT RISES UP
FROM THE WELL OF AN OCEAN GONE MAD,
WITH AN INSATIABLE HUNGER
AND AN ENDLESS LUST TO KILL.
Well then. This giant squid tale was published in 1991, and I vaguely remember reading it back in the day. It was eventually adapted into a 2 part TV movie (in 1996, starring William Petersen), which I also vaguely remember. But I don't remember enough of either one to keep me from enjoying a fresh take. Also, I'm pretty sure it was the first time Benchley had gone back to ocean horror since doing Jaws, so I'm looking forward to seeing/re-seeing how it compares....



WAY DOWN IN THE COLDEST,
DARKEST, MOST FRIGHTENING DEPTHS
OF THE OCEAN, AN ANCIENT CREATURE,
DEADLIER THAN ANY OUR MODERN
WORLD HAS ENCOUNTERED,
BEGINS TO STIR.
No, you're not just imagining the beginnings of a theme here--there really is a lot of animal attack/creature feature stuff lurking in this weekend's haul. Originally published in 1997, this novel was the first in Steve Alten's mostly fun to read Meg series, which (so far) includes four sequels and a prequel for a total of six books. I've read this and the others as well, but got rid of 'em in one of my Book Thinnings. Thought I'd pick this first one up and (eventually) add its review to the sh-sh-shark! series. There's supposed to be a movie version in the works, which could end up anywhere from extremely cool to horrifyingly lame on the cool-to-lame-book-to-movie-conversion-scale (but let's face facts, it will probably come out closer to the lame end). Ah, who am I kidding? I'll be seeing it regardless. But I hope it's at least moderately cool.



...IN MANATEE COUNTY, MAINE...
BIOLOGICAL CHANGES ARE BEGINNING
TO OCCUR. PEOPLE ARE SICK, THEIR MINDS
ARE CONFUSED. CHILDREN ARE BORN DEAD...
BORN DEFORMED.
AND A FAMILY OF CAMPERS
HAS BEEN FOUND DEAD, MUTILATED BY SOME
INDESCRIBABLY BRUTAL FORCE...
Moving along from big things in the ocean, to a big thing (mutated grizzly bear) in the forest, this book was actually a novelization of 1979's Prophecy, which film I watched again recently and may (or may not ever) get around to reviewing here. The same guy wrote both screenplay and book, and it shows: you can tell he "knows" the film's characters, and has plenty of good stuff to add as he pads out the screenplay. It's really a well done novelization (so far--I'm only a few chapters in) of a well done film. And I know the film gets laughed at quite a bit, but really it was just those 1970s practical effects with the monster that didn't work, there. The film itself was nicely done.



FOR MILLIONS OF YEARS
MAN AND RATS
HAD BEEN NATURAL ENEMIES.
BUT NOW FOR THE FIRST TIME
--SUDDENLY, SHOCKINGLY, HORRIBLY--
THE BALANCE OF POWER HAD SHIFTED TO--
THE RATS.
Continuing down the size-of-threat scale (ooh, if I'd put Meg before Beast, biggest to smallest totally would have happened! oh well, it still mostly works) from really-big-in-forest to not-quite-as-big-in-city. I totally read this one when I was younger too, probably in the late 70s (published in 1974) or early 80s. But I haven't picked it up since, so it's time for another go. This was also made into a movie, in 1982, but I'd have to say not much (other than giant rats) survived its adaptation from page to screen. James Herbert: what's not to love about that guy? amiright?



BUT THEN THE DEATH TOLL BEGAN TO MOUNT--AND TERROR
ERUPTED INTO NATIONAL PANIC AS GREAT SWARMS OF
SAVAGE BEES, DEADLY KILLERS, BLOTTED OUT THE SUN IN
THEIR SPREAD ACROSS THE COUNTRY.
Another 1974 release, here. I think I've probably read this at some point in the past. How could I not have? But if so it's buried in the mists of time (what does that even mean?), so it'll feel like new along with the others. Good book by great author, made into (yet another) failed movie. I think that happens a lot. This'll be a fun read, though. Bzzz...



[A] GENETIC ABNORMALITY IN HIS BLOOD... MADE THIS... MAN
ONE OF THE MOST DANGEROUS CREATURES ON EARTH.
Moving out of natural horror now, I confess this 1996 title had me hoping for something killer-robot related. No such luck, it looks to be more violent-genetically-altered-superman, but I picked it up anyway and will give it a read at some point. (It's one I actually haven't read in the distant past!) We'll see how it goes. I also confess I'd never heard of Brian Hodge, but he's still writing and looks to have a decent fan base going. So like I said, we'll see.



HE LOVES HER SO MUCH, HE CANNOT LET HER GO.
AND WHEN SUDDENLY, TRAGICALLY, SAMANTHA IS LOST,
HE MAKES A SOLEMN VOW--
TO USE ALL HIS GIFTS OF GENIUS TO KEEP HIS BELOVED SAMANTHA.
FOR JUST A LITTLE WHILE LONGER....
Getting a little closer to killer robot territory here, with a computer chip controlled reanimated corpse, this is also one I've read back in the day. I actually read this one after seeing the movie it spawned (usually the other way around). Not a bad (though much maligned) little movie, but this book is a lot better. And really different from the movie. As they generally are, but apparently Craven wanted to honor the book a lot more than he got to. Would've been nice to see his original vision for the film. Book was published straight to paperback in 1985, and the movie was (briefly) in theaters by 1986, so someone was hot to trot for movie-izing the novel.



THE SCENE: A RESEARCH LABORATORY SOMEWHERE IN ENGLAND....
...A RESEARCHER WHO DEPARTED UNDER MYSTERIOUS CIRCUMSTANCES,
AND... OTTO, A REMARKABLY INTELLIGENT CHIMPANZEE WITH A SECRET
THAT SEEMS TO HOLD EVERYONE IN ITS SINISTER GRIP.
Hmm. It's gotta be a guy turned into a chimp, right? Or maybe had his brain transplanted into one? Something like that's what I'm hoping for anyway. I don't know, since it's another new one for me. Looks interesting. It's from 1973, and that vintage always lends a special something only late 60s-early 70s sci-fi/horror novels can.... I don't know Philip Oakes, but my guess is this one is a bit of Thinking Man's Science Fiction. Great cover....



YOUR BLOOD WILL GROW COLD AS YOU READ THE
NEVER-BEFORE-TOLD STORY OF THE FOGGY NIGHT IN
1899 WHEN BARNABAS COLLINS FIRST ARRIVED AT
COLLINWOOD. YOU'LL CHILL TO THE FULL HORROR OF
THE REAL TRUTH ABOUT BARNABAS--A SECRET SO TER-
RIBLE THAT IT COULD NOT BE REVEALED UNTIL NOW...
Even more vintage, this is number six in a series of thirty three ( ! ) Dark Shadows novels written by William Ross, between 1966 and 1972, under his pen name Marilyn Ross. This one was written in 1968 and I might never actually read it (but then again I might). I mostly got it because it was old and cool and Dark Shadowy. The missus and I are, after several years trying, still somewhere in the midst of our quest to watch every single episode of the old TV series, and this book just bumped up against that in a good way, so I picked it up. Truth be known, I'd be more likely to read it if it didn't take place pre-1960s (it takes place mostly in the early 1900s). I've never been a huge fan of the show's "olden times" story-lines. The book could surprise me, though.



IN THIS BOOK CARLOS CLARENS BRINGS HIS ENCYCLOPEDIC
KNOWLEDGE OF FILMS AND FILMMAKERS TO THE SUBJECT OF
HORROR FILMS OF THE CLASSIC ERA. WHETHER DISCUSSING
THE EROTIC ASPECTS OF KING KONG, EXAMINING THE WORKS
OF VAL LEWTON, CONTRASTING THE DIRECTOR'S ATTITUDE
TOWARD THE MONSTER IN FRANKENSTEIN AND THE BRIDE OF
FRANKENSTEIN, ACCOUNTING FOR THE SPECIAL GENIUS OF LON
CHANEY, OR COMPARING THE VARIOUS VERSIONS OF DR. JECKYLL
AND MR. HYDE, CLARENS ENTERTAINS AS HE ENLIGHTENS.
Well that blurb about says it all, doesn't it? The only nonfiction of this week's haul, this book promises to be a good one. It's vintage, originally published in 1967, although my copy's a 1968 edition. Carlos Clarens is noted as "a film historian and writer," although my quick search didn't dig up much but this book. Could be he did magazine or newspaper work, for the most part. Great cover photo, even if the "illustrated" aspect of the book is just a few film stills inserted at front and back. As for the cover photo, it's from Night of the Demon/Curse of the Demon. That's a great movie to watch both versions of, back-to-back, to pick out and enjoy their differences. Just saying.



And there you have it: Bookstore Saturday.

(After-the-fact-addition-at-end: If you're as curious as I was about how these reads played out, you can find out all about it here. Just saying.